‘a densely packed postmodern story that is a rich and kaleidoscopic vision of Latin America’s most destitute and marginal’
Gabriela Cabezón Cámara was born in Buenos Aires in 1968. She has published the novel Slum Virgin (known in Spanish as La Virgen Cabeza, 2009), the nouvelle Le viste la cara a Dios (You’ve Seen God’s Face, 2011), and La Isla de la Luna (Island of the Moon, 2012). She has also published the comic Beya, le viste la cara a Dios (Biutiful, You’ve Seen God’s Face), based on the former text and illustrated by Iñaki Echeverría (2013). In 2014 she published the novel Romance de la Negra Rubia (Romance of the Black Blonde) and the following year she produced Sacrificios (Sacrifices), edited by the Argentinian National Library for the Bicentenary Collection. Also in 2015 her book of stories, Y su despojo fue una muchedumbre (And Her Waste Was a Crowd) came out, illustrated once again by Iñaki Echeverría. In 2013 she was writer in residence at UC Berkeley, where she also taught. She was one of the founders of the NiUnaMenos (“Not One Less”) movement against femicides and gender violence.
Renato Cisneros (Lima, 1976) is a well-known journalist, broadcaster and blogger in Peru, where he directed and presented various news programs on radio and TV. Having already published several books of poetry and a few novels, in 2015 he voluntarily stepped down from his life as a broadcaster to concentrate fully on his writing. La distancia que nos separa (The Distance Between Us) was published as a result of this. It has sold over 35,000 copies in Peru alone and has been very highly praised by the Peruvian as well as international press. Distance was shortlisted for the Mario Vargas Llosa Biannual Award, longlisted for the Prix Médicis (2017) and was the winner of the Prix Transfuge Du Meilleur Roman De Littérature Hispanophone (2017). Its sequel, Dejarás la tierra (You Shall Leave Your Homeland) is already a best-seller in Spain and Latin America and will be published by Charco Press in 2020. Renato Cisneros lives in Madrid.
Margarita García Robayo
Margarita García Robayo (Cartagena, Colombia, 1980) is the author of three novels, a book of autobiographical essays and several collections of short stories, including Cosas peores (Worse Things), which obtained the prestigious Casa de las Américas Prize in 2014. Her work has appeared in several anthologies such as Región: cuento político latinoamericano (Political Latin American Short Stories) and Childless Parents. In 2013 she was awarded a Literary Creation Grant from the Han Nefkens Foundation and the Pompeu Fabra University. Her books have been published in Latin America as well as in Spain, and have been translated into French, Portuguese, Italian, Hebrew, and Chinese. She lives in Buenos Aires, Argentina.
Ricardo Romero was born in the province of Entre Ríos, in northern Argentina, in 1976. He studied Literature at the Universidad Nacional de Córdoba and has been living in Buenos Aires since 2002. Between 2003 and 2006 he directed the literary journal Oliverio and between 2006 and 2010 he was one of the members of the ‘El Quinteto de la Muerte’ (The Lethal Quintet) with which he published two books: 5 and La fiesta de la narrativa (Fiction’s Party). He has also published a book of short stories, Tantas noches como sean necesarias (As Many Nights as may be Necessary, 2006) and the novels Ninguna parte (Nowhere, 2003), El síndrome de Rasputín (Rasputin’s Syndrome, 2008), Los bailarines del fin del mundo (The Dancers of the End of the World, 2009), Perros de la lluvia (Rain Dogs, 2011), El spleen de los muertos (The Spleen of the Dead, 2013) and Historia de Roque Rey (The Tale of Roque Rey, 2014). The President’s Room (2015) is his latest novel.
Luis Sagasti, a writer, lecturer and art critic, was born in Bahía Blanca, Argentina in 1963. He graduated in History at the Universidad Nacional del Sur where he now teaches. From 1995 to 2003 he was Curator in charge of Education and Cultural Outreach at the Museum of Contemporary Art, Bahía Blanca, authoring numerous art catalogues for exhibitions. Including Fireflies (known in Spanish as Bellas Artes, 2011), he has published four novels: El Canon de Leipzig (Leipzig's Canon, 1999), Los mares de la Luna (Seas of the Moon, 2006), and Maelstrom (2015). He also has a book of essays Perdidos en el espacio (Lost in Space, 2011). His new novel, Una ofrenda musical (A Musical Offering) came out in early 2017.
Daniel Mella (Montevideo, Uruguay, 1976) began his career as a writer when he was only 21, with the publication of his first novel, Pogo. Derretimiento, published only a year later in Spain, would gain him the recognition of critics and peers. At the age of 24, after his third novel Noviembre, he retired from writing and returned thirteen years later with a book of short stories entitled Lava, which obtained the Bartolomé Hidalgo Prize, the most prestigious literary prize in Uruguay. His fourth novel, El hermano mayor, which has been very well received by critics in Uruguay, Argentina and Spain, also made Mella a second-time winner of the Bartolomé Hidalgo Prize (2017). Mella’s writings have appeared in several anthologies. He lives in a small coastal town in Uruguay.
Carla Maliandi was born in Venezuela in 1976 and is the daughter of Argentinian philosophers Ricardo Maliandi and Graciela Fernández who were forced to escape Argentina’s military regime. She is an award-winning playwright, theatre director, university lecturer and writer. She has written and directed five theatre plays, which were all staged in Buenos Aires as well as in different international theatre festivals. She has also co-written several other plays. She is part of the writers’ collective Rioplatensas as part of which she directs a literary journal and a TV programme. Her plays Espejo en el desierto (Mirror in the desert) and Regen (Rain) appeared in an anthology published by the National Theatre Institute of Argentina, and her short story Indio (Indian) was included in a short story collection entitled Zona de cuentos (Short Story Zone). The German Room is her first novel and was chosen by several critics as one of the best books to come out of Argentina in 2017. It will be published in France (Métailié) and Germany (Bernberg Verlag). She lives in Buenos Aires.
Jorge Consiglio was born in Buenos Aires in 1962. He has published four novels: El bien (The Good, 2003; Award for Emerging Writers, Opera Prima, Spain), Gramática de la sombra (Grammar of the Shadows, 2007; Third Municipal Prize for Novels), Pequeñas intenciones (Small Intentions, 2011; Second National Prize for Novels, First Municipal Prize for Novels) and Hospital Posadas (2015). They have all been awarded prizes in Argentina and in Spain. He has also published three collections of short stories, including Southerly (2016), whose title in Spanish is Villa del Parque, and five books of poems.
‘Ariana Harwicz's novels capture your imagination. (…) Very hard to drop or ever to forget.’
Selected as favourite book of 2017 for Publishers Weekly
SHORTLISTED for 2018 Republic of Consciousness Prize
‘It has a flavour of Fever Dream meets Sorry to Disrupt the Peace. A striking novel.’
Compared to Nathalie Sarraute, Virginia Woolf and Sylvia Plath, Ariana Harwicz is one of the most radical figures in contemporary Argentinian literature. Her prose is characterized by its violence, eroticism, irony and direct criticism to the clichés surrounding the notions of the family and conventional relationships. Born in Buenos Aires in 1977, Harwicz studied screenwriting and drama in Argentina, and earned a first degree in Performing Arts from the University of Paris VII as well as a Master’s degree in comparative literature from the Sorbonne. She has taught screenwriting and written two plays, which have been staged in Buenos Aires. She directed the documentary El día del Ceviche (Ceviche’s Day), which has been shown at festivals in Argentina, Brazil, Cuba and Venezuela. Her first novel, Die, My Love received rave reviews and was named best novel of 2012 by the Argentinian daily La Nación. It is currently being adapted for theatre in Buenos Aires and in Israel. She is considered to be at the forefront of the so-called new Argentinian fiction, together with other female writers such as Selva Almada, Samanta Schweblin, Mariana Enríquez and Gabriela Cabezón Cámara.
Julián Fuks was born in São Paulo in 1981 and is the son of Argentinian parents. As an author whose work has garnered nominations from several of Brazil’s top literary prizes and accolades from Granta, Fuks has gained recognition as one of Brazil’s most outstanding young writers. Currently also a critic and translator, Fuks graduated in journalism from the Universidade de São Paulo and soon began working as a literary reporter and critic for Folha de S. Paulo, one of Latin America’s biggest-selling newspapers. In 2009, he received a master’s degree in Latin American Literature and he still expects to complete his doctorate in literary theory. During 2017, Fuks worked alongside Mia Couto, one of Africa’s leading writers, as part of the Rolex Mentor and Protégé Arts Initiative. Of all the books he has written, Fuks calls his latest novel, Resistance (Winner of the Jabuti Award for Best Novel of the Year 2016, and the José Saramago Literary Prize 2017) his most important work.